和Laurel Halo的《Quarantine》、Actress的《R.I.P》並列英倫上半年最受矚目的電子音樂作品；由年僅二十出頭的Jack Latham化名Jam City推出的首張正式大碟《Classical Curves》，不僅是最貼近80電子音樂光譜之作，也是居中最貼近Club音樂思考的一張唱片。 相較於Actress的灰暗氣息、Laurel Halo的擷取Ambient養分，Jam City自詡為Body Music的《Classical Curves》，多半設身處地於Synth音樂聘馳的80年代，即是那個Disco發跡、Electro-Soul/Funk普羅存在的年頭。 《Classical Curves》猶如重塑了80年代Electro-Soul團體Zapp的原貌，也偶有加拿大雙人組Junior Boys的音樂影子，皆以美輪美奐、流暢性為音樂的邏輯思考。 In the three EPs he's released so far, Jack Latham has forged a sound that's not far removed from that of his Night Slugs label-mates: neon-colored, maximal bass music. That said, he occasionally adds a bit of woozy psychedelia to his palette, something Michaelangelo Matos called "E-gush" in his review of Magic Drops, Jam City's first EP. Classical Curves features nine previously unreleased productions, plus both tracks from his most recent EP: "The Courts" and "The Nite Life," the latter of which features vocals from North Oakland rap group Main Attrakionz.