by Scott YanowThis is tenor saxophonist Dewey Redman's second recording as a leader cut for the French Byg label. Redman has long been one of the most accessible of the avant-garde players due to his large tone, his willingness to swing hard, and his logical if emotional ideas. At the time of this album, he was working regularly with Ornette Coleman, and the altoist's free-bop approach definitely had a permanent influence on Redman. Joined by bassist Malachi Favors (from the Art Ensemble of Chicago) and the colorful drummer Ed Blackwell, Redman mostly cooks on five originals; in addition, he plays his atmospheric and often droning musette on the title track. This album is well worth searching for.