除了偕夫婿Steve Gordon共通创作歌曲外，同时邀请Guy Sigsworth (Seal、Bjork)、Pascal Gabriel (New Order、Bryan Ferry)、Jimmy Hogarth (Tina Turner、Beverley Knight)等多位创作/制作人齐力效劳在「Mind How You Go」 之中。开场曲”Love Show”，舒缓清爽的吉他刷弦伴随飘缈电子颗粒以及Skye甜而不腻、带些灵魂音感铺入，相当对味的立刻挑起聆听时所有注意力；仍漂浮在Trip-Hop骨干之虚无空间的”Stop Complaining”，Skye暖系音频溶化冷冽包围之节拍，接著淡淡新民谣式风格”Solitary”，如同雨後天晴时高挂空中的彩虹般令人心境为之一开；”Jamaica Days”不假任何乐器伴奏，以多部人声唱叠呈现福音歌曲式之憾人感动。Skye令人激赏的嗓音，藉由专辑11支单曲毫无保留恣意散发最真诚的声频触感。　　 The voice and focal point for Morcheeba would seem to be a natural solo artist once the band dissolved after its 2003 greatest-hits release Parts of the Process. But since Skye Edwards had written little of Morcheeba's material, the resulting album under her own name, now shortened to just Skye, took three years. Although little has changed in her approach on this debut, there are subtle differences between this music and the work with her previous band. According to the liner notes (oddly there are no song or musician credits), producer Patrick Leonard helped write much of this material and it seems that his keyboards and drum loops are the only instruments. That provides a deceptively chilly base over which Skye lays her sumptuous, velvety vocals. It's an interesting effect when it works, but it gives a somewhat hesitant feel to the finished product, as if these are demos meant to be expanded with a full band later. Likewise, the songs are more akin to set pieces with wandering structures and a lazy, jazzy feel. And they are all ballads. That gives Skye room to lay her voice atop the often delicate, synth heavy production, but it also creates a rather one-dimensional mood. Morcheeba's trip-hop/pop was involving because the writers composed songs that had clearly delineable melodies. Those are harder to find here, although multiple spins help the process. Some songs such as "Powerful" -- notably one of two non-Leonard productions -- find their groove with recognizable, even hummable choruses as Skye sings against swelling strings that ebb and flow. Other more experimental tracks such as "What's Wrong with Me?" succeed due to the brittle electronics played against Skye's sultry singing. She turns in a beautifully nuanced performance throughout, folding her luxurious voice between the song's layers and beckoning the listener back for a second taste, even with material that doesn't register on the initial listen. That makes this a natural for established Morcheeba fans, but possibly less so for someone first encountering Skye's talents and not willing to put in time to warm up to this winning yet refreshingly non-commercial release.