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Don't You Believe Me Baby

Don't You Believe Me Baby

Elsewhere, a progressive leaning/alt/new wave/power-pop trio from Boston is the product of a rare musical mutation that combines the energy and raw angst of power pop/punk with the ambition and creativity of progressive rock. Recently, the band released a new single of a lost Police track from 1981 called "Don't You Believe Me Baby" using a lyric video as a platform on YouTube. The track presently has over 70,000 views in 6 weeks. This track will be included on a new EP scheduled to be released in the Summer of 2017. World domination will commence imminently… The trio is led by guitarist/vocalist Michael Aroian and bassist Kevin Swaluk -a duo of atypical rockers with corporate day jobs who bring the duality of their existence to the stage with their high-energy live performances. This contradiction between image and sound pulls the listener into a state of emotional release through thought-provoking music. The truly progressive part of Elsewhere’s music is that it also has a pop sensibility that people can appreciate and relate to on an entirely different level. Influenced by a wide array of bands such as Rush, the Police, Duran Duran, and the Sex Pistols, and described as a more guitar driven version of The Killers (and a fatter version of 30 Seconds To Mars), Elsewhere has developed a smooth, electric and groove-oriented sound that transcends the wavering music trends of the day. The new EP will prove to be a much-anticipated follow-up to the well received albums Outbound, Perception, and 1981 all released during a simpler time. Through airplay on national radio shows, appearances on film (“Mr. Sadman”) and TV (“Live Through This”), and performances throughout the Northeast, Elsewhere is continuing to attract interest from radio, club audiences, magazines, music supervisors and record labels. Most importantly, unlike bands that have come before and after them, they have not stopped and continue to pursue ways to create and disseminate their music to the masses despite the broken model that is today’s music industry…

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