by Alex OggLeaving behind the artistic adventures of their first two albums (particularly impressive was 1982's After the Snow), Ricochet Days begins Modern English's slow decline toward the status of just another synth band. The material, though beautifully produced by the reliable Hugh Jones and boasting some pliable hooks, lacks the conviction and attack of old. "Hands Across the Sea" and "Spinning Me Round" are serviceable but hardly vital additions to the band's songbook.