by William RuhlmannPhoebe Snow should have, could have, had hits with her covers of Paul McCartney's "Every Night" and the Roches' "The Married Men," but by her fourth Columbia album and fifth release overall, the company seems to have been content to let her records find their audience without pushing them. (Actually, "Every Night" did hit number 79 in the U.K.) Maybe they'd given up trying to figure out whether she was a folk singer, a pop singer, a soul singer, or a jazz singer, and forgot that she was a great singer. The decision to add Barry Beckett as co-producer with Phil Ramone helped add an R&B depth and fervor, but Against the Grain was just a more impassioned effort than its predecessor. That didn't keep Columbia from dropping Phoebe Snow when it didn't hit, though.