Apart from fabulous and/or visionary search, the fundamental capability of her singing art may be simply evaluated in her family milieu. “Fereshteh“ was born in Teheran, in a house where you could hear almost always the pleasant songs of her mother, and grand-mother who simultaneously played “ Tar “ as well. In her childhood, Fereshteh was rather an uneasy person and always physically emotional. However she was very quiet only when her grandmother played her Tar. In such particular circumstances, Fereshteh used to seat down quietly and observe eagerly the grandmother's moving fingers over the sounding instrument. The motion of her rounded eyes was so rhythmic, one could imagine that the musical sound was radiating not from the Tar but from Fereshteh's own eyes. During the early years of her study in secondary school remarkable changes took place in her behaviour. She was, then, relatively quiet, rather isolated and a little shy. After school hours she used to spend most of her time in privacy, exercising the melodies heard and learned from her grandmother and etc.