Not sure what is going on here on the cover but the lush, almost psychedelic, colours are somehow like many of the sounds used on this recording. Since the majority of activity lies on Roswell and Realization we are taken quite a long way away from the deep waters of CUEs Octopus projects toward a mixture of Electro styled ambience and the use of Roswell witness testimonies. Sea of Information is perhaps a strange opener in that it is very low key and slightly out of place with the warmer tones of Dadas other three tracks. That said the childish shouting voices sound cute and strange when combined with the broken beats. Roswell is a massive track of nearly forty minutes in length. While possibly overlong it pays dividends to those who listen to its lush washes of sound combined with treated samples from Roswell witnesses that become more distorted as the track progresses. Realization pits a warbled looping set of sounds on top of weird environmental spaced-out sounds and bass filled drums that bubble along. Coming Down is probably my favourite track which combines an emotive theme with an Aphex-like scattered drumming on tin pots. A childs voice reads a rhyme about us putting pollution in the sea. Sub-bass vibrations can barely be heard, they are so low, while the drums turn into a Squarepusher styled drum n tinpot combo! For some reason it gives you a sense of nostalgia but you dont know why. (review by Rowland Atkinson)