by Richard S. GinellFor Points of View, Holland expands his group into a quintet, shakes up the remaining personnel, and comes up with a marvelous example of thoughtful, dynamically shifting ECM chamber jazz. The new wrinkles in the sound are the return of Robin Eubanks on trombone, which gives the front line a richer, more balanced texture, and drummer Billy Kilson, who displays a wider, more animated range of rhythmic sympathies than did Gene Jackson on Dream of the Elders. Steve Nelson on vibes and marimba is the only returnee, and Steve Wilson contributes a dry tone on both alto and soprano saxes. The elegant textures so typical of ECM belie considerable stylistic variety here, including a gentle reversion to the progressively funky Holland band of the '80s on "Metamorphos"; a happy-go-lucky, easy-swinging tribute to Ray Brown, "Mr. B."; reflective, relaxed ballad work in "The Benevolent One," and Nelson's charming calypso/folk lullaby for marimba, "Serenade." Of course, Holland leaves himself a lot of solo space, which he fills with mobile eloquence.