by Stephen Thomas ErlewineStewart Copeland's score for Bruno Barreto's cinematic adaptation of Fernando Gaberia's book Four Days in September doesn't suffer when it is isolated from the film. On its own, it's an evocative mixture of percussion and keyboards, balanced between the symphonic and Brazilian culture. The soundtrack is augmented by Alan Price's "The House of the Rising Sun," Tom Jobim's "The Girl from Ipanema" and Chico Buarque de Holanda's "Madalena Foi Por Mar."